I have a big problem with these. It is particularly difficult for a person with no or very little publishing credits to write a concise yet meaningful bio. I say meaningful because the bios are supposed to summarize the writer's work and not the writer's interests because no one cares that I like to crochet in my spare time!
This brings me back to the dilemma: How does a person write a bio and summarize her writing history when she has no good credits to start with?!
Ugh. I say we banish ALL bios. It's all meaningless unless there's a good story behind it.
This brings me back to the dilemma: How does a person write a bio and summarize her writing history when she has no good credits to start with?!
Ugh. I say we banish ALL bios. It's all meaningless unless there's a good story behind it.
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Really, the only bits of bios I remember are things like McCaffrey saying she wrote her first novel in latin class and she played a witch in an opera. Much more memorable to a non-writer, which I was back then, than a string of credits. :)
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I always feel like I should be able to write something a little more creative for a bio but my mind usually goes blank. Like when someone finds out you can sing and they say, "sing us a song!" and suddenly all the lyrics go floating out of your brain.
I submitted a couple of things this week and I didn't bother to write a bio because I couldn't think of anything interesting to say, publishing credits or otherwise.
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You don't need to send your bio out with your subs, though. Not very many places ask for it, and of the ones that do, you can always send them one after they buy. It's good to have one around, though, so that when the editor says, "Oh, send us a bio," you can just paste it in and hit send.
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Jane Writer graduated from Disney School of Giggles with a degree in snarf hunting and tickling. She attended renowned writing workshop, Clarion West in 1904. She prefers to write speculative fiction with a strong focus on humorous octopus stories. She also writes introspective nonfiction articles on diversity in literature.
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As for bios: back when I had to write them for poetry readings and had zero publishing credits, I always wrote wacky ones. Once I even held a contest online (I think on a mailing list) for the best wacky Gord bio possible.
It's like writing a cover letter; when you have less experience, highlight personal skills and interesting things more, so people get a sense of you as someone about whom they'll be hearing and seeing more soon!
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I'd like to write a wacky bio but my brain shuts down. Perhaps I should be like Daniel Handler and create an alter ego (Lemony Snicket) and write that person's bio and then take it as my own. *Shrug*
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Oh, that was almost a decade ago, so while I might have one or two of the bios squirreled away somewhere, my electronic archives are currently a ridiculous mess -- one of my 2008 goals is to sort them out -- so it would take forever to find them.
I think writing a wacky bio for someone else -- a character -- could work, if it gets you thinking about this in some way where the "writing about oneself" blockage is gone.